{"id":11671,"date":"2026-10-08T22:50:33","date_gmt":"2026-10-08T19:50:33","guid":{"rendered":"https:\/\/mavikentajans.com\/?p=11671"},"modified":"2026-10-08T22:51:12","modified_gmt":"2026-10-08T19:51:12","slug":"11671","status":"publish","type":"post","link":"https:\/\/mavikentajans.com\/?p=11671","title":{"rendered":"Sibel D\u00fclger’in kaleminden kitap se\u00e7kileri"},"content":{"rendered":"

\"perili-ev<\/p>\n

Charles Dikens’in y\u00f6netti\u011fi All the Year Round dergisinin en pop\u00fcler \u00f6yk\u00fc derlemesi olan “Perili Ev” sekiz \u00f6yk\u00fcden olu\u015fur. Her \u00f6yk\u00fc “perili ev”in bir odas\u0131na musallat olan bir hayaleti konu al\u0131r. \u00dc\u00e7\u00fc Dickens taraf\u0131ndan yaz\u0131lan \u00f6yk\u00fclerin geri kalan\u0131 Hesba Stretton, George Augustus Sala, Adelaide Anne Procter, Wilkie Collins ve Elizabeth Gaskell imzas\u0131n\u0131 ta\u015f\u0131yor.
\n“Perili Ev” \u00e7okseslili\u011fine uygun olarak \u00c7evirmenler
\nMeslek Birli\u011fi (\u00c7evbir) \u00fcyesi sekiz \u00e7evirmen taraf\u0131ndan
\nT\u00fcrk\u00e7eye aktar\u0131lm\u0131\u015f ve eserin sat\u0131\u015f\u0131ndan elde edilecek telif \u00fccreti \u00c7evbir’e ba\u011f\u0131\u015flanm\u0131\u015ft\u0131r. \u00c7evbir 2006 y\u0131l\u0131nda kitap \u00e7evirmenlerinin haklar\u0131n\u0131 korumak i\u00e7in kurulmu\u015f bir meslek \u00f6rg\u00fct\u00fcd\u00fcr. Bug\u00fcn altyaz\u0131-seslendirme ve tiyatro \u00e7evirmenlerini de temsil eden \u00c7evbir yay\u0131nc\u0131l\u0131k sekt\u00f6r\u00fcn\u00fcn etkili akt\u00f6rlerinden biri olarak faaliyet g\u00f6stermektedir.
\nDidar Zeynep Batumlu, B\u00fclent O. Do\u011fan, Roza Hakmen, Sava\u015f K\u0131l\u0131\u00e7, Zarife Biliz, Elif Ersavc\u0131, Deniz Keskin ve Yunus \u00c7etin’in \u00e7evirileriyle “Perili Ev”, T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131’nda.<\/p>\n

\"goz-yummak<\/p>\n

\u00c7a\u011fda\u015f Ispanyol edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc seslerinden
\nEdurne Portela, 2022 Bask Edebiyat Od\u00fcl\u00fc’n\u00fc kazanan G\u00f6z Yummak’ta insan ruhunun karanl\u0131k dehlizlerinde, ge\u00e7mi\u015fin ve \u015fimdinin labirentlerinde dola\u015farak korkudan, utan\u00e7tan ve su\u00e7 ortakl\u0131\u011f\u0131ndan beslenen sessizliklerin ortas\u0131nda, hat\u0131rlay\u0131\u015f\u0131n \u015fiirini yaz\u0131yor.
\nEngebeli da\u011f yollar\u0131n\u0131n, dinmeyen sisin ve uzla\u015f\u0131lm\u0131\u015f sessizli\u011fin ard\u0131na gizlenmi\u015f bir \u0130spanyol kasabas\u0131n\u0131n dilsiz sokaklar\u0131nda herkes neredeyse her s\u0131rra v\u00e2k\u0131ft\u0131r; ne var ki bu topraklarda ya\u015faman\u0131n yolu, suskunlu\u011fa ortak olmaktan, o k\u00f6r karanl\u0131\u011fa hep beraber g\u00f6z yummaktan ge\u00e7er. Bu pusun ortas\u0131nda yollar\u0131 kesi\u015fen iki yaral\u0131 ruhun anla\u015fmay\u0131 bozmas\u0131, b\u00fct\u00fcn dengeleri de\u011fi\u015ftirecektir.
\n\u00c7a\u011fda\u015f \u0130spanyol edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc seslerinden
\nEdurne Portela, 2022 Bask Edebiyat Od\u00fcl\u00fc’n\u00fc kazanan G\u00f6z Yummak’ta insan ruhunun karanl\u0131k dehlizlerinde, ge\u00e7mi\u015fin ve \u015fimdinin labirentlerinde dola\u015farak korkudan, utan\u00e7tan ve su\u00e7 ortakl\u0131\u011f\u0131ndan beslenen sessizliklerin ortas\u0131nda, hat\u0131rlay\u0131\u015f\u0131n \u015fiirini yaz\u0131yor.
\nG\u00f6z Yummak, y\u00fczle\u015fmenin sanc\u0131lar\u0131n\u0131 ve kolektif haf\u0131zan\u0131n derinliklerindeki sakl\u0131 \u015fiddeti \u015fa\u015f\u0131rt\u0131c\u0131 bir zarafetle i\u015fleyen, \u00e7a\u011fda\u015f edebiyata b\u0131rak\u0131lm\u0131\u015f dokunakl\u0131 ve samimi bir iz.<\/p>\n

\"sevme-bicimleri<\/p>\n

Dawn, \u00f6mr\u00fcn\u00fcn b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 i\u00e7inde koca bir bo\u015flukla ge\u00e7irmi\u015fti. \u015eimdi elli sekiz ya\u015f\u0131nda. Ard\u0131nda b\u0131rakt\u0131\u011f\u0131 bir evlilik ve kendi hayat gailelerine dalm\u0131\u015f iki yeti\u015fkin o\u011fulla, \u00f6n\u00fcnde yepyeni bir gelecek kurma f\u0131rsat\u0131 oldu\u011fu d\u00fc\u015f\u00fcn\u00fcle-bilir. Oysa Dawn’in akh\u0131 durmadan ge\u00e7mi\u015fe, y\u0131llard\u0131r i\u00e7inde b\u00fcy\u00fctt\u00fc\u011f\u00fc o s\u0131rra kay\u0131yor: Hen\u00fcz on at\u0131s\u0131ndayken ba\u015fka bir \u00fclkede gizlice do\u011furup evlatl\u0131k vermek zorunda kald\u0131\u011f\u0131 k\u0131z\u0131na.
\nK\u0131rk k\u00fcsur y\u0131l\u0131n ard\u0131ndan, yitirdi\u011fi k\u0131z\u0131na kavu\u015fma arzusu Dawn’t i\u00e7ten i\u00e7e kemiriyor. Ne var ki evlad\u0131n\u0131n izini s\u00fcrmek, umdu\u011fu kadar kolay de\u011fil. Bu aray\u0131\u015f onu yaln\u0131zca \u00e7ocuklu\u011funun ge\u00e7ti\u011fi topraklara geri g\u00f6t\u00fcrmekle kalmayacak, gen\u00e7li\u011finde boyun e\u011fdi\u011fi o karar\u0131 ve o g\u00fcnden bu yana uzanan her d\u00f6nemeci yeniden sorgulayaca\u011f\u0131 duygusal bir hesapla\u015fmaya da s\u00fcr\u00fckleyecek. Peki Dawn, y\u0131llard\u0131r i\u00e7inde biriktirdi\u011fi onca sevgiye sonunda bir bi\u00e7im verebilecek mi?<\/p>\n

2025 Booker \u00d6d\u00fcl\u00fcne aday g\u00f6sterilen \u201cSevme Bi\u00e7imleri\u201d dilimize Elif Nihan Akba\u015f taraf\u0131ndan \u00e7evrilip Kairos Kitap etiketiyle de okurla bulu\u015ftu.<\/p>\n

\"romanin-bes-gucu<\/p>\n

Ahmet \u00dcmit\u2019ten toplumsal \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fcn besledi\u011fi su\u00e7 ve onun felsefi do\u011fas\u0131na edebi bir bak\u0131\u015f: Roma’n\u0131n
\nBe\u015f G\u00fcn\u00fc
\nRoma \u00f6l\u00fclerin omuzlar\u0131nda y\u00fckselir…
\nM\u00fczi\u011fin, \u0131\u015f\u0131\u011f\u0131n, k\u00fclt\u00fcr\u00fcn ba\u015fkenti Roma pe\u0219 pe\u0219e i\u015flenen s\u0131ra d\u0131\u015f\u0131 ve teatral cinayetlerle sars\u0131l\u0131r.
\nINTERPOL ad\u0131na \u00f6zel bir g\u00f6rev i\u00e7in \u015fehirde bulunan
\nBerlin Emniyeti Cinayet Masas\u0131’ndan Y\u0131ld\u0131z Karasu ve
\nyard\u0131mc\u0131s\u0131 Tobias Becker bir anda kendilerini
\nAfrodisias’tan Roma’ya uzanan bir su\u00e7 \u00f6yk\u00fcs\u00fcn\u00fcn tam
\nortas\u0131nda buluverir.
\nilk kez Kay\u0131p Tanr\u0131lar \u00dclkesi roman\u0131yla okurlar\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kan Y\u0131ld\u0131z Karasu ve Tobias Becker bu kez felsefi bir su\u00e7 \u00e7etesinin izinde Roma sokaklar\u0131n\u0131 ar\u015f\u0131nlarken, bir yandan da Afrodisias’\u0131n kadim ve gizemli tarihiyle kar\u015f\u0131 kar\u015f\u0131ya kal\u0131yor.
\nAhmet Umit Roma’n\u0131n Be\u015f G\u00fcn\u00fcnde okuyucuyu klasik
\nm\u00fczik ile arkeolojinin i\u00e7 i\u00e7e ge\u00e7ti\u011fi bir \u015fehrin sokaklar\u0131nda heyecan\u0131n hi\u00e7 eksilmedi\u011fi cinai bir maratona davet ediyor.<\/p>\n

“\u0130nsanl\u0131\u011f\u0131n aptalla\u015fma seviyesini k\u00fc\u00e7\u00fcmseme Carlo. O kadar da ak\u0131ll\u0131 bir mahluk de\u011filiz biz. Yaz\u0131y\u0131 bulmam\u0131z\u0131n \u00fczerinden sadece be\u015f bin y\u0131l ge\u00e7ti. Daha uygarl\u0131\u011f\u0131n \u015fafa\u011f\u0131nda bile de\u011filiz.”<\/p>\n","protected":false},"excerpt":{"rendered":"

Charles Dikens’in y\u00f6netti\u011fi All the Year Round dergisinin en pop\u00fcler \u00f6yk\u00fc derlemesi olan “Perili Ev” sekiz \u00f6yk\u00fcden olu\u015fur. Her \u00f6yk\u00fc “perili ev”in bir odas\u0131na musallat olan bir hayaleti konu al\u0131r. \u00dc\u00e7\u00fc Dickens taraf\u0131ndan yaz\u0131lan \u00f6yk\u00fclerin geri kalan\u0131 Hesba Stretton, George Augustus Sala, Adelaide Anne Procter, Wilkie Collins ve Elizabeth Gaskell imzas\u0131n\u0131 ta\u015f\u0131yor. “Perili Ev” \u00e7okseslili\u011fine […]<\/p>\n","protected":false},"author":12,"featured_media":11676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,105],"tags":[],"class_list":["post-11671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-yazarlar"],"views":95,"_links":{"self":[{"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/posts\/11671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11671"}],"version-history":[{"count":2,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/posts\/11671\/revisions"}],"predecessor-version":[{"id":11678,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/posts\/11671\/revisions\/11678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=\/wp\/v2\/media\/11676"}],"wp:attachment":[{"href":"https:\/\/mavikentajans.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mavikentajans.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}